NIKON Z DX 24MM F1.7 Review: A Useful Everyday Lens

Nikon has been relentlessly discharging full-frame Z-mount lenses over the final 2 a long time. At the time of distribution of this article, Nikon USA records 36 such lenses. In any case, in sharp differentiate, as it were 6 DX lenses fabricated by Nikon are within the mirrorless Z-mount. It’s justifiable then, if users of cameras just like the Zfc, Z50, and Z30 start to see towards 3rd party producers for their DX lens needs.

NIKON Z DX 24MM F1.7 Review: A Useful Everyday Lens

Maybe to stem such a stream, they as of late propelled the Nikon Z DX 24mm f1.7 lens. With quick autofocus, commendable image results, and super lightweight development, it’s a lens that you just can carry around all over. Let’s trust that more such DX lenses will be in Nikon’s lineup before long.

Table of Contents

  1. The Big Picture
          1.1 Pros
          1.2 Cons
  2. Gear Used
  3. Ergonomics
  4. Build Quality
  5. Ease of Use
  6. Focusing
  7. Picture Quality
          7.1 Bokeh
          7.2 Color Rendition
          7.3 Lens Character
          7.4 Sharpness

THE Big PICTURE

THE Big PICTURE

Take off the screw-on lens hood, and the Nikon Z DX 24mm f1.7 looks very comparable to the Nikon Z 28mm f2.8 lens. It does have a smaller proportionate focal run of around 36mm (full-frame identical). For edit sensor Z-mount camera clients, this makes it the ideal street photography lens. It comes in at a unimportant 4.8 oz. (135 g) in weight, is indeed more compact once you evacuate the lens hood, and brags a few lovely quick autofocus. It’s too the primary prime lens in Nikon’s Z-mount DX lineup. What about its bokeh capabilities, you’ll ask? Well, it doesn’t disillusion. A near focusing separate of 0.59 ft(0.18m) lets you accomplish a few satisfying bokeh impacts, indeed for a lens customarily considered wide-angle. For a lens so minute and reasonable, desires of wide-open sharpness might not be exceptionally tall either, but here’s where the lens demonstrated me off-base exceptionally regularly.

The need of a metal lens mount, climate fixing, or vibration decrease implies it won’t get a full five stars. But it performed distant superior than we anticipated in different conditions, giving us satisfying pictures. The cost-effective, competent, and compact Nikon Z DX 24mm f1.7 lens gets four out of five stars. Need one? Head over to Adorama to see what they’ve got.

Pros

  • It’s a compact lens that gets to be indeed littler once you unscrew the lens hood that comes with it.
  • Truly lightweight. You barely notice it on cameras just like the Zfc and Z50. Matching the Nikon Z DX 24mm f1.7 lens with such cameras takes the combined weight to scarcely 20oz (550g) or so.
  • Not that expensive at $276.95
  • Quick and noiseless autofocus which could get quicker if Nikon chooses to get more current AF tech into the DX Z cameras with firmware updates.
  • Close focus capabilities (up to 0.59 ft / 0.18 m)

CONS

  • No weather sealing.
  • No Vibration Lessening. This isn’t awesome, as none of the current DX Z-mount cameras have built-in stabilization in them. You’re reaching to require consistent hands at lower screen speeds.
  • I wish it had an SE adaptation to combine with the vintage looks of the Nikon Zfc

Gear Used

Gear Used

I utilized the Nikon Z DX 24mm f1.7 lens with a Nikon Zfc, both on credit from Nikon.

ERGONOMICS

ERGONOMICS

The primary thing that struck me when I gotten this lens was how knob-like it looked. I before long found out that was since of its impossible to miss lens hood. It’s exceptionally unusual but nearly the same as what Nikon given on their Z 26mm f2.8 pancake. Take that lens hood off, and it would be extreme to recognize this lens from the Nikon Z 40mm f2.

ERGONOMICS

The lens mount is plastic; I know numerous of you’ll moan upon perusing this. But hello, it’s how they keep the costs down. And a few things without a doubt get yielded to induce quick autofocus at such a sensible cost point and in such a little shape calculate.

ERGONOMICS

Coming back to that lens hood – take off it off if you favor utilizing UV filters on your lens for security. This lens takes 46mm estimate screw-on filters.

Build QUALITY

Build QUALITY

You do not get weather sealing within the Nikon Z DX 24mm f1.7 lens, but I did take it outside amid a slight sprinkle. Some beads from a cloudburst didn’t appear to halt it.

Build QUALITY

Indeed with that lens hood on, it’s an subtle lens. Since it’s so lightweight, you barely ever feel it weighing down on you. When matched with the Z50 or Zfc, this lens is an perfect road photography combination for Nikon clients who need photographs taken rapidly with negligible unsettling influence to the environment.

In case you can’t get the autofocus right for any reason, utilize the expansive manual focus ring for additional exactness.

After you compare it to the 23mm f1.4 APS-C lens from Viltrox, the Nikon Z DX 24mm f1.7 is lighter, littler, and less costly. Looks like Nikon realized they required to handle 3rd party producers who were effectively discharging lenses for the DX Z-mount cameras.

EASE OF Use

EASE OF Use

Mount it, disregard it. Truly, typically a no-frills lens, and it’s up to the camera’s autofocus discovery mode to create the foremost of it. In the event that you’re utilizing an APS-C mirrorless Nikon camera as a 2nd body, this lens is one that I’d likely keep on it and take with me all over.

Focusing

Focusing

Nikon has ticked all the boxes when it comes to autofocus with this lens. It’s not as it were smart and accurate, it’s moreover so calm. You won’t indeed take note the autofocus at work in typical shooting conditions, because it quietly does its work. Remember to choose the appropriate subject discovery mode to form your life simpler. Looking ahead, when Nikon in the long run presents the Expeed 7 processor to their APS-C cameras, autofocus may ended up even smoother and more automatic. The AF auto mode, in combination with this progressed processor, will likely pay attention of most focusing errands without complain.

IMAGE QUALITY

BOKEH

BOKEH

Between f1.7 and f1.8, you can’t tell any distinction in the bokeh. And I wasn’t anticipating much bokeh for a crop sensor camera with an identical 36mm full-frame field of see. But thanks to that close focusing distance, you’ll disconnect your subject sensibly well if you know what you’re doing.

COLOR Rendition

COLOR Rendition

Aside from a few yellowing within the blown-out highlight regions and slight developing of reds, this lens’s colors are exact.

Lens CHARACTER

Slight purple bordering when shooting at f1.7 and f1.8, as it were on the off chance that you zoom in at 100%. After you halt down past f2.2, this appears to disappear. There’s no discernible vignetting with or without the lens hood on.

SHARPNESS

SHARPNESS

Indeed at f1.7, the sharpness delivered by the Nikon Z DX 24mm f1.7 is distant way better than you’d anticipate for a lens of this cost. You couldn’t indeed dream of this kind of sharpness in an F-mount lens at indeed twice the taken a toll. You do not need to fret around this aspect of the lens. Indeed towards the edges, sharpness is very good.

Sharpness truly crests from f2.2 onwards. This is a 100% crop of the picture seen over, with no honing connected in post-processing.

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